1 July 2022

Maths Student of the Week

Kelis 9M - For continually challenging herself by completing extension work in class and working consistently hard!

Well Done!


Book Cover Competition 

On Monday 27 June, the Editorial Director of Jonathan Cape, Penguin Random House, Željka Marošević, came to CSG to judge the book cover competition for main school and run a Q&A about the publishing industry for students in Years 10 and 12.

The entries, which consisted of original hand drawn and digital book covers and an analytical paragraph explaining each student’s visual interpretation and inspiration, were of an incredibly high standard, making it very difficult to choose a winner. Many brought out key themes and focused on main characters, but many also explored areas of the chosen novels that students felt were not always depicted on the covers.

 

 

 

 

 

 

 

 

 

 

 

 

The six winners will receive a selection of books of their choice for themselves and in addition Željka is giving the CSG library a collection of Penguin Classics.

At lunchtime she also took part in a Q&A with Years 10 and 12 students about the publishing industry and careers in writing and editing. It was a fascinating discussion in which students asked a range of pertinent questions.

The winners of the book cover competition are: Marialisa 8C, Loveday 8C, Max 10R, Klara 10T, Bella 7C, Arielle 7T. Head to the library to see a display of lots of the brilliant entries.

Book Cover Competition Winners

Ms Trench
English Teacher


Art Department News

June was a very busy month for the Art Department showcasing the work of our students through various exhibitions and displays. We hope you enjoyed them. For those of you who were not able to visit we will be shortly be uploading the work of this year’s GCSE and A Level students on the school website.

 

Art GCSE Show 2022

It was fantastic to showcase the GCSE artwork after a two-year break. Creativity has prevailed despite the covid setbacks and was celebrated by the CSG community. The show was well attended by students, parents and staff.

Art A Level Show 2022

Soon after the GCSE Show, the A Level Art Show was open to visitors. The exhibition was busy with students and staff welcome throughout the day and family and friends visiting in the evening. We were proud to showcase the work of this talented and ambitious group of young artists.

Year 9 Installation

Inspired by the artist Lubaina Himid, Year 9 have created ‘cardboard characters’ based on inspirational figures from history (some very famous, some who may not be so well known but are of significance to them). Alongside this they have each recorded a quote and selected a piece of music that resonates with their chosen character. This installation piece is on display in the main school foyer at the moment.




Assembly Speaker, 20 June
The Rap Foundation - Allison Havey and PJ Livett

On Monday the 20 of June our two assembly speakers were Allison Havey

and PJ Livett from the RAP Foundation, a charity created by its founders of that gives workshops in a large number of schools on a range of topics, educating students about rape culture, including the laws defining sexual assault, consent, pornography, how social media & pornography influence attitudes, behaviours and body image; the lack of discretion practiced my many young people online, how to manage peer pressure, mental well-being and personal safety.

Allison began the assembly by telling the year 12s about the instagram platform @everyonesinvited that was set up to give people a platform to expose misogynistic attitudes and rape culture through the sharing of testimonies of mostly young women in secondary schools telling their experiences of being victims of sexual abuse and assault. From when it was founded in June 2020, over 54000 testimonies have been uploaded onto the platform. 

Furthermore, Allison went on to explain that within rape culture, certain social attitudes and institutional systems often to not recognise sexually abusive behaviour, trivialising it or even expecting it as the norm; this in turn enables sexual assault to be committed more frequently and without consequence. Allison identified toxic masculinity, the notion that one’s ‘manliness’ is defined by physical aggression and dominance, as something that can have a negative impact on male behaviour and their perception of relationships. This in turn may directly correlate with sexual abuse and assault.

In the second half of the assembly, PJ spoke about the importance of everyone understanding what consent is (and that not consenting can happen at any point even during a sexual encounter), and how key communication within sex is, underlining that these are the two key elements to maintaining a healthy relationship with one’s partner and keeping one’s own safety.

PJ shared some painful and eye-opening facts about the involvement of alcohol/drugs in many sexual assault cases; for example, 4/10 women drank alcohol before the incident and 58% of male assailants admit to having been drinking before an assault. The issue of spiking, slipping drugs/alcohol into someone’s food/drink without their permission, was brought to our attention. It is often used as a means of making someone physically vulnerable in order to more easily sexually assault them.

The two speakers then posed questions to the Year 12s about online pornography. Students described it as “unrealistic, objectifying, damaging and predatory”. Allison described it as something which significantly impacts physical relationships as it continues to become even more of our cultural reality. The communication, consent and intimacy of a sexual experience is not expressed, thus, teaching its viewers a misguided version of sex which in turn leads to higher incidents of sexual assault.

The speakers left us with this takeaway: always be an active bystander (challenge the behaviour of someone if you feel it is threatening/harmful to others, do not ignore the situation) and never blame yourself if you’ve been sexually assaulted - call someone you can trust and communicate what has happened to you.

Overall this assembly was very well delivered with engaging questions allowing us to understand what consensual and healthy relationships really are and how to protect ourselves in case of a sexual assault.

Biba,
Head Senior Prefect


Year 12 Classics and Drama trip to King's College, London 

Last Thursday 23 June, the joint A Level Classics and Drama classes (accompanied by the wonderful Ms Maguire, Mr Beecroft and Ms King) attended a day of Greek Drama workshops at King's College. It was a fantastic combination of both subjects, and as someone who is not the most well versed in the dramatic arts, the blend of classical history and theatre was perfectly put forward by the professors giving the talks.

Covering a range of topics such as immersivity and modernism, the talks prompted me to look at the texts we study through a new lens - a more sceptical and positively analytical approach to the intangibility of ancient literature in translation. There is something beautifully obscure about the unreachable essence of Greek drama, the performative intention of which is still being debated today. Professor Daniel Orrells introduced the ideas of Virginia Woolf in her essay On Not Knowing Greek, and she will say it better than I can: “...since we do not know how the words sounded, or where precisely we ought to laugh, or how the actors acted, and between this foreign people and ourselves there is not only difference of race and tongue but a tremendous breach of tradition.” Like Cassandra was cursed never to be believed, the poetry of the ancients is arguably fated to be only ever viewed by a society who think they can see something largely invisible, a shadow of any true purpose. “The Greeks remain in a fastness of their own. Fate has been kind there too. She has preserved them from vulgarity. Euripides was eaten by dogs; Aeschylus killed by a stone; Sappho leapt from a cliff. We know no more of them than that. We have their poetry, and that is all.” But as Professors David Bullen and Naomi Scott also supported in their talks, this angle is what makes the time-defying nature of classic literature all the more fascinating.

Coming off the back of this, the interactive workshop was a perfect way to explore how we as a modern audience interact with myths and plays based on them, such as Sophocles’ Antigone. Working in smaller groups, we conceptualised how we would go about unearthing the themes presented by Sophocles and represent them in a way that feels relevant and honest to us as teenagers in a politically turbulent world. By assigning scenes from the play to various different groups, we came up with an overall eclectic range of interpretations - from Love Island voting apps to a silent chorus, Downing Street to Orthodox Judaism, the unified minds of Classics and Drama students resulted in what I can only describe as an emphatically original (and revolutionary!) set of ideas.

Finally, we reconvened for my personal highlight of the day - a pre-show talk given by none other than Edith Hall. She delivered what she humbly described as a “completely ad-lib” discussion of Sophocles, Thebes and the Theban Plays written on her coach down from Cambridge (I think I speak for us all when I say that everyone was at least a little starstruck by her presence). The play itself was incredibly moving, with a fusion of Greek and English texts, Antigone and Oedipus the King. I was entranced by the performance of Antigone as the unifying factor between two related stories, while the peripheral characters changed and shifted personality depending on the scene. Overarchingly The Plague at Thebes powerfully spoke to the social and political consequences of an unprecedented pandemic, civil disobedience, and the place and responsibility of an individual within society.

Thank you so much to the Classics and Drama departments for organising such a special and thought-provoking day!

Maya
Year 12